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The
mention of Maharashtra architecture brings the caves of Ajanta
and Ellora into limelight. Some of Indias oldest wall
paintings can be traced here. The sculptures of the time are
stiff and unmoving but Maharashtras famous rock-cut caves
have several distinct design elements. The Buddhist
caves; particularly the older ones are either temples (Chaityas)
or monasteries (Viharas). Chaityas are usually deep and narrow
with a stupa at the end of the cave.
There may be row of columns down
both sides of the cave and around the stupa. Viharas are
normally intended to be the living quarters for the monks and
usually have a row of cells along both sides. In the back there
is often a small shrine containing an image of the Buddha.
At Ajanta, the cliff face into which the caves are cut are very
steep and there is often a small verandah or entrance porch in
front of the main cave. At Ellora the rock face is more sloping.
Cave architecture reached the peak of its complexity and design
in the Hindu temples at Ellora. These can be hardly called caves
for each temple is opened to the sky, built up from the
bottom they were cut from the living rock from the top down.
The art of early Muslim invaders was chiefly confined to
painting. The best known of the art forms of the Mughal era are
the paintings of miniatures. These delightfully detailed
and brightly colored paintings show the events and activities of
the Mughals in their magnificent palaces. Other paintings
included portraits and studies of wildlife and plants. The
earliest
Indian artifacts were from the Indus Valley cities in
modern-day Pakistan. The classical school of Buddhist art
reached its peak during the reign of Ashoka. Close to Peshawar,
now in Pakistan, owing to the Greek influence, Gandharan art got
amalgamated with the Buddhist art forms. During the Gupta
period, Indian art experienced a golden age. The Buddhist art
gave way to Hindu forms. Both Buddhism and Hindu schools of art
produced metal-cast sculptures using the lost wax method,
as well as larger sculptures in stone.
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